A New Stem and Gripe

Fitting the new Stem and Gripe blanks
Fitting the new Stem and Gripe blanks

The Stem and Gripe together make the Forefoot of the boat.  This is the curved part of the bottom that provides the transition from the stem to the keel.  It needs to be a formidable piece of the boat because it is the piece that parts the water as the boat makes its way.  It takes considerable pounding, and in an older boat, almost always has some rot in it.  That means it’s going to have to be replaced.

Since we have the plans, we could loft the boat and then take off the curves to make a new stem/gripe.  But we have a pretty good pattern (albeit with a little rot here and there) in the old one.  Using a sheet of glass and some clear plastic from the art store, we can draw out a pattern and transfer that to properly dimensioned white oak to make a new one that’s better than the old–better because it’s made of rot-resistant white oak.

Using the old stem/gripe to make a pattern
Using the old stem/gripe to make a pattern

So the first step is to lay a piece of 1/4″ glass over the old part and trace its lines onto a piece of clear mylar.  Of course you want to get as much information as you can on this tracing, including bolt locations, bootstripe, etc.  And make sure you are looking straight down on the part when tracing to avoid any parallax error.

Avoiding the lighter colored sapwood when laying out the new pieces.
Avoiding the lighter colored sapwood when laying out the new pieces.

Then take your new pattern and transfer the lines to your new wood.  You do this by tracing over the new mylar pattern with a “pounce wheel”, which you also get at your friendly art supply store.  You can see in our example that we made sure to avoid any sapwood in the new pieces.  Sapwood is much lighter in color and contains dried sap and sugars.  Including sapwood in your boat is like a flashing neon sign for rot spore–bad news if you want to keep your boat rot free.

Once the pieces were cut on the bandsaw, it took a little time to fit the joint between the stem and the gripe.  You need a good, solid joint here that, once slathered with bedding compound, will not allow ingress of any water.

Clamped stem and gripe.  Checking the overall curve of the piece and fitting to the breasthook.
Clamped stem and gripe. Checking the overall curve of the piece and fitting to the breasthook.

Once we got that joint in good shape, the stem and gripe blanks were bolted together and fit to the breasthook.  Then it was time to look at the curve of the whole assembly and make sure it would be fair with the keel joint.  As you can see, we had to glue in a shim or two, but there’s no shame in that.

 

 

Grab your chisel, follow the lines from your pattern, and have at it!
Grab your chisel, follow the lines from your pattern, and have at it!

Finally it was time to carve the rabbet.  That’s the groove that runs lengthwise along the piece for the bottom planks to rest in.  That’s really a topic all in itself, but we’ll show it here.  To make a long story short, you use the lines you’ve traced on to your blank from the old stem/gripe assembly.  Using those lines, you have at it with your chisel and carve out the rabbet.  It helps to have a test stick, called a “fid”, that is the same thickness your planking will be to test how it fits in the groove as you carve it.  With a tough wood like white oak, you have to pause a few times to sharpen the chisel.  You can definitely tell the difference a sharp tool makes here.

Finished rabbet (on this side, at least).
Finished rabbet (on this side, at least).

Then clean it up with a plane, sander, Fein multimaster, whatever works.  You’re done!

Steam Bending Parts

I used a piece of pvc pipe as my steambox for the lower transom bow since it was a short piece.
I used a piece of pvc pipe as my steambox for the lower transom bow since it was a short piece.

A lot of preparation is required for steam bending wood.  You need a fair amount of specialized equipment.  I covered that a couple of weeks ago here in Getting Ready for Steam Bending Wood.  Now it’s time to put that equipment into action.

The first piece I bent was the lower transom bow.  I chose it because it was short, and I figured it would be easy to handle without the help of another person.  You have to get the piece out of the steamer and onto the form quickly, before it cools.  So if it’s long or cumbersome, it helps to have more than one person.

8 ft. radius form for bending transom pieces
8 ft. radius form for bending transom pieces

This boat has a curved transom with an 8 ft. radius to the curve.  There aren’t enough pieces in the actual transom framing to support a smooth, even clamping surface, so I had to build a form.  For everything else, we can use the boat framework as our form (i.e. keel, chines, planks).

 

Lower transom bow that was steamed and clamped to the form.
Lower transom bow that was steamed and clamped to the form.

Here’s the lower transom bow clamped to the form.  I tried 3 times to bend a piece I could use.  But alas, because the oak was about 1-1/2 inches thick, and because the bend was so severe, I got too much springback.  The bent piece could be clamped to the boat framing, and forced to the proper shape, but this isn’t really what you want.  Particularly with the transom, you want the bow to describe the curve and hold that curve.  Forcing a piece to a tighter curve here runs the risk of having the bow stress some of the joints and pull them apart.  I guess that’s why the original transom bow was sawed on a curve.

I didn’t like the idea of sawing this piece on a curve.  It gives you too much short grain at the ends of the curve, which can split.  Of course, it worked for 60 years.  We have the original transom bow to prove it.  But there’s a better way.  I finally chose to laminate oak strips to the correct curve, using the form I’ve already built.  I’ll post some pictures of the laminated transom bow later.

Dave and James holding Sadie the Wonderdog.  Lisa (standing) and Annie (down in front).
Dave and James holding Sadie the Wonderdog. Lisa (standing) and Annie (down in front).

For now, it was time to move ahead and bend in the keel and chines.  I was able to use the framework of the boat for my form for these pieces.  They’re much longer (they run the whole length of the boat), and you need two people to get them out of the steamer and onto the boat quickly.  So I enlisted the help of some good friends.  This picture is of the crew that helped with the starboard chine.

 

2013-10-16_17-56-05_46 chine steam bent onto boat frameFinally, after the chine was bent onto the boat frame, it was wrapped in wet towels to let it cool and dry slowly–over several days.  Here’s a picture of it without all the people in the way.  Not much to see really.  But it’s there under the rags.

 

Making New Frames

Using the old frame as a pattern
Using the old frame as a pattern

After stripping the bottom planking off (see Remove the Bottom), it’s a good time to take another look at the soundness of the bottom framing.  Now you can see it from it’s most vulnerable angle–the joint between the frame and the bottom planking.  This is where water is most likely to collect (the bottom of the bilge) and be absorbed into any unsealed wood.  Remember, any wood with over 20% moisture content is a great place for rot spore to grow.   The factory may or may not have sealed this joint with paint, but that was 60 years ago.

After taking another look at the bottom framing, it’s in pretty good shape for being 60 years old, but still, it is 60 year old wood.  It leaks around the transom joint, and is oil-soaked under the engine.  We’re going to be putting a newly rebuilt engine in this boat and it is, after  all a speedboat.  You wouldn’t put a new engine in a 60 year old car without addressing the chassis.  It would soon shake apart.

Aside from all that,  the original bottom frames are made of  Philippine Mahogany–a wood with little to no rot resistance.  We’ll replace them with white oak which is a traditional boatbuilding wood because of it’s good fastener-holding and rot resistance properties.

New frames being fit in with old
New frames being fit in with old

We’ll use the old frames as patterns to cut out new ones.  Then we’ll  install each new frame, using the old keel and chines to get the lines right, along with battens, and bevel the new frame in place.

 

 

 

Fairing the keel landing forward
Fairing the keel landing forward

Finally, disassemble the whole thing, seal the new frames properly, and permanently install them.  This gets the new frames sealed at the joint surfaces–a very important step that keeps them from soaking up moisture where you can’t see it.

Remove the Chines and First Topsides Strake

The Chine is the piece that defines the "corner" between the topsides and the bottom of the boat.
The Chine is the piece that defines the “corner” between the topsides and the bottom of the boat.

So we’ve got the bottom off (see Remove the Bottom), what now? Well let’s take a moment to look at the chines (the longitudinal piece of lumber that creates the “corner” between the topsides and the bottom).  While we’re at it, we’ll take a look at the keel as well.  These pieces are made of white oak, so that’s good material.  But they’re also 60 years old, and very perforated.  The keel is oil-soaked under the engine, which weakens wood considerably.  It also has a bad dip in it forward, with no good way to smooth that out.  Once you’ve come this far, you’d be crazy not to replace these pieces.  So off they come.

In order to get the chines off, you have to remove the first topsides strake (plank) next to the chines.

Tape off the area to be stripped and slap on the stripper.
Tape off the area to be stripped and slap on the stripper.

The first step in removing the topsides strake is to strip the varnish off it to make removal of the bungs easier.

Stripping the old bottom paint reveals a low spot in the old plank faired out with compound.
Stripping the old bottom paint reveals a low spot in the old plank faired out with compound.

We haven’t made a decision yet on whether to replace this plank, so to avoid splintering around the bung holes when removing bungs, we strip the finish which acts as a glue and can pull splinters of this delicate old wood.

 

 

 

 

 

Remove bungs by stabbing them with an ice pick.
Remove bungs by stabbing them with an ice pick.

 

Once the finish is stripped, the bungs can be removed by splitting them with an ice pick, and pulling the pieces out carefully.  This exposes the screw heads which you can carefully back out, trying not to catch on the side of the bung holes and splintering the wood.  You will inevitably break some screws and find some already broken.  Mark them for later drilling and extraction.

Close up of bung being removed.
Close up of bung being removed.

After you’ve got the planks removed on both sides of the chine, it’s a pretty simple matter to unfasten the chine and remove it.  Broken fasteners holding the chine in shouldn’t present too much of a problem since we’re replacing the chines and the bottom frames.

Sadie the Wonderdog Oversees the Shop

Sadie is one of my best advisors
Sadie is one of my best advisors

I’ve briefly mentioned Sadie before in here.  But I’ve been advised that I should devote a little more time and mention to this all-important member of the crew.  Sadie is of the Mutt breed.  We adopted her from the Charleston Animal Society a little over a year ago.  She’s about a year and a half old now, is smarter than she let’s on most of the time, and is the social ambassador of Ashley River Boatworks.  She’s great friends with all of the other folks in the building complex where the shop is located here in Charleston, SC, USA.

She especially enjoys visiting with the schoolchildren Isaiah and Malaysia who check in with her most mornings while waiting for their bus.  She also loves running over to visit with the guys next door when they’re practicing their karate moves.  And she supervises the loading and unloading of the trucks for a nearby landscaping business.  In between, she consults with me on the best approach to take on repairs and projects in the shop.  Usually we find that the best way is to do it right the first time and not cut corners.  You only end up paying for “quick and cheap” over and over in the long run.  Most of the time we agree on how to handle a particular problem, but when she doesn’t agree with something I’ve done, she just finds a way to chew it up when I’m not looking.

A Poultice is Good Medicine

A poultice of kitty litter and lacquer thinner is used on the stringers to draw out oil.
A poultice of kitty litter and lacquer thinner is used on the stringers to draw out oil.

A poultice is a moist, soft mass used to treat inflammation of a body part.  It is often applied with heat.  It can also be used to draw out stains and other contaminants from a porous material.

In our case, it is a way to draw out oil from oil-soaked wood.  The stringers in this boat have, over time, absorbed engine oil that has been spilled in the bilge.  They’re not damaged enough to warrant replacement, but I want to get the oil out of them to facilitate sealing of them, and paint adhesion.  A good way to do that is by making a poultice of ground up non-scented kitty litter (dried clay) and lacquer thinner.  The lacquer thinner is a solvent that soaks into the wood, dissolves the oil, and keeps it in solution long enough to leach out through osmosis to the kitty litter where the oil concentration is less.  This may sound like snake-oil.  But it really works.  Try it.

Getting Ready for Steam Bending Wood

Shop built steam generator.
Shop built steam generator.

It will soon be time to start steam bending some of the parts we’ve been fabricating over the past few weeks.  See The Board Stretcher a.k.a. The Scarf Joint.  The keel will need to be bent to the curve of the bottom.  At least the forward part of it will be.  The aft 8 feet is supposed to be “straight as a string”.  Also, the inner chines will be bent into their chine landings on the frames of the boat.  And the lower transom bow will be bent to an 8 ft. radius curve per the original design drawings.  To get ready for this, I needed to build some very specific equipment.

The steam generator pictured at the beginning of this post is a nice design I got from Don Danenberg’s excellent book, The Complete Wooden Runabout Restoration Guide.  The main tube is a piece of 2 inch black iron pipe fitted with a heating element for a commercial water heater in the bottom end.  Note the electric cord running to the bottom of this unit.  Off the main tube, there’s a secondary tube, to which a sight glass is plumbed.  The sight glass let’s you monitor the water level so the heating element doesn’t run dry.  Water is supplied through a garden hose to the bottom, and regulated by a gate valve to maintain a constant water level.  This is easier to do than it might sound as the secondary tube calms the water level fluctuation caused by boiling at the heating element.  Steam is delivered through a piece of automotive heater hose attached to a nipple at the top of the primary tube.

Needless to say, you don’t want this unit to hold pressure.  And you want to make very sure you have it properly grounded.  It gets hot– 207 degrees by my measurement at the external of the primary tube near the heating element.  Hot steam, water and electricity can be a bad mix if not managed well.  I always keep a close eye on this piece whenever I’m using it.

Steam bending wood allows the wood grain to follow the curve of the finished piece, making for a much stronger part than if you were to simply cut a curved piece out of a straight board, thereby cutting across the grain at the ends of the curve.  Also, it’s much more economical.  Most lumber comes in straight pieces.  You waste much less by bending a straight piece to the curve you want.

When we steam bend wood, we use the heat of steam to soften the cell walls and the lignin in the wood structure (the natural glue that holds the wood cells together).  According to Webster’s dictionary, lignin actually makes up one-third to one-fourth the weight of wood, and after cellulose,  it is the most abundant organic compound on earth.

Once the wood cools, the lignin re-solidifies and the wood retains the curve without wanting to spring back to its original shape.  The water in the steam does not add water to the wood.  It’s just a way of transferring heat to the wood.  The rule of thumb is to cook the wood 1 hour for each inch of thickness.  Then take it out and see if it feels rubbery like it will bend in to the shape you want it to.  If not, put it back in and cook it some more.

Soaking and steaming box
Soaking and steaming box

We’ll need a box for soaking wood before bending, which can double as a steam box.  So, I put together a box out of 2x lumber that is 18′ 1″ long, 9-1/2″ wide, and 13″ deep.  This should accommodate all the pieces for this boat and future projects as well.  The box is lined with 6 mil plastic from the local hardware store, which can be removed when it’s used as a steam box.

 

 

 

 

The new keel, made of white oak, will need to soak for at least 2 weeks prior to steaming.
The new keel, made of white oak, will need to soak for at least 2 weeks prior to steaming.

The Board Stretcher a.k.a The Scarf Joint

Finished Scarf Joint
Finished Scarf Joint

What do you do when you can’t get lumber long enough to fill the need?  You go get the board stretcher!  Any neophyte woodworker has heard that one.  But the board stretcher I’m referring to really does exist.  It’s called a scarf joint.

Boatbuilders have been scarfing together lumber for a long time.  It’s a method of joining two boards so they have continuous sides as if the two boards have grown together to form one long board.  Before the days of the great glues we have today, the scarf joint was made by overlapping the boards with a long diagonal cut, and then pegging a backing block to the joint.  But I’m using epoxy.  And if done properly, the glued scarf joint is stronger than the wood fibers themselves, obviating the need for a backing block.

In this case, I’m scarfing together two planks to make a blank that is 16 ft. long by 6 inches wide by 1-1/2 inches thick.  That’s a serious piece of white oak!  But it needs to be, it’s the backbone of the boat.

So I start with an 8 ft and a 10 ft plank.  The scarf joint will be a diagonal overlap at a 12:1 ration.  This means that since the planks are 1-1/2 inches thick, the joint will be 18 inches long.  The joint needs to be so long in order to provide plenty of faying (glue-able) surface.  The more faying surface, the stronger the joint.  A structural joint like this one requires a 12:1 ratio.

1. Lining out the scarf cut on the edge of the board.
1. Lining out the scarf cut on the edge of the board.

I first line out the part of the board that will be cut away.  Look closely in the picture at left, and you’ll see the diagonal line I’ve drawn on the edge of the board.

 

 

 

 

 

 

 

2. Boards stacked ready for planing.
2. Boards stacked ready for planing.

Then I stack the two boards on top of each other, offsetting them so I can make one long slanted cut with the power plane at the angle I want.  I finish the cut with the hand plane to make for a good fit.

 

Finished scarf cut.
3. Finished scarf cut.

 

 

 

4. Scarf joint wet out with epoxy.
4. Scarf joint wet out with epoxy.

 

 

 

 

Then wet out the glued surfaces with straight epoxy.  This lets some of the epoxy soak into the pores of the wood so the joint won’t be starved of glue.  Then slather on a nice thickened mixture of epoxy and clamp, leaving overnight for it to partially cure.

 

5.  Clamped scarf joint.
5. Clamped scarf joint.

When the joint is set, but the epoxy is still “green”, it’s time to plane it down to the finished thickness and clean up the joint.

 

 

 

6.  Laying out the outline of the finished keel on the new blank with a batten.
6. Laying out the outline of the finished keel on the new blank with a batten.

Then lay out the outline of the new blank from measurements taken from the old keel.  Since the edges are a curved taper, they have to be lined off with a batten as shown in the photo.

 

 

 

Finally, the blank is cut out on the bandsaw.  And there it is.

7.  The finished blank is cut out on the bandsaw.

7. The finished blank is cut out on the bandsaw.

The next step is to cut the rabbet (the groove along each edge where the bottom planking rests.  That’s another story…

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Visit from an Old Friend

African Mahogany (Khaya Ivorensis)
African Mahogany (Khaya Ivorensis)

A couple of weekends ago my old college roommate and his wife came for a visit.  When I asked Mack what he wanted to do, he said “I want to go to the Boatworks!”  When presented with such unbridled enthusiasm, I’m not one to hesitate.  I had the perfect two-man job in mind–hossing a bunch of lumber around and re-sawing planks for the boat.  17 ft. boards of African Mahogany aren’t exactly light.  A second set of hands really does speed things along.

So we started with planing one face of the boards and soon discovered that the knives in the planer were dull and needed changing.  We managed to break two Craftsman torx drivers in the process (I have been of the opinion for a while now that Craftsman tools are not what they used to be).  But our friend Derek at the local Sears tool department had us back in business in no time.  We got the wood planed, but not resawed.  That was a task for another day. As you can see in the photo, I did manage to get some of this lumber resawed and planed down later.  The 1/2 inch planks will be used in the boat.  The 6/4 (thicker) planks on bottom have yet to be re-sawn into a usable thickness.  One more step to go on those.

Mack is still the great thinker that he always was, and we enjoyed talking over  old ideas and new.  It was good to see you Mack.  And thanks for the help!